Our Craft
At Sitora, craft is never treated as decoration added at the end. It is the substance of the garment itself: the way a fabric receives light, the way embroidery shapes the surface, and the way a silhouette settles on the body.
Zardozi is a metal embroidery tradition associated with Mughal ateliers and ceremonial dress across North India. Worked with metallic thread, coils, beads, and sequins, it gives a garment depth, structure, and a sense of occasion that flat surface embellishment cannot reproduce.
Chikankari is the celebrated hand embroidery of Lucknow, known for its delicacy, shadow-like texture, and quiet precision. It matters because it creates richness through restraint, allowing the fabric and the handwork to breathe together.
Gota patti comes from Rajasthan, where narrow ribbons of metallic applique are cut, folded, and stitched into luminous patterns. It matters for the way it catches light with ceremony while remaining graceful rather than heavy.
Phulkari is rooted in the Punjab region and is recognised for vivid floral and geometric surface embroidery. It matters because it carries a strong sense of inheritance, celebration, and regional identity.
Mirror work, often associated with Gujarat and Rajasthan, places small reflective pieces into embroidered settings so the garment comes alive in movement and light. It matters because it brings rhythm, sparkle, and evening presence without relying on excess.
Hand-block printing is one of the oldest textile traditions in South Asia, especially associated with Rajasthan and Gujarat. Carved wooden blocks are pressed by hand into cloth, creating pattern with subtle variation and depth — the kind of difference that reveals human touch rather than industrial repetition.
The fabrics matter just as much as the techniques. Silk brings authority, lustre, and structure. Georgette offers fluid drape and a fine-grained surface. Chiffon gives lightness and movement. Organza lends airy volume and translucence. Velvet deepens colour and mood. Brocade weaves ornament directly into the cloth, allowing richness to emerge from the textile itself.
At Sitora, craftsmanship is not nostalgia. It is living knowledge translated into garments meant to be worn now and kept for years.

